See the floor of -110 Manhattan's World Trade Center. Under the mist swirling in the wind, the island city, sea seas, swinging the skyscrapers of Wall Street, burrowing Greenwich, re Hills puts Midtown, Central Park subsided and eventually became hunchbacked beyond lampidee Harlem. lampidee Surge of vertical lampidee lines. Vision momentarily inhibits the buzzing. The vast mass breaks off right under our eyes. It makes the fabric of the overlapping ends of ambition and shame, blatant differences between races and styles, contrasts between the buildings were built only yesterday and have become garbage and urban outbreaks of everyday life, which block the space.
Unlike Rome, New York has never learned to grow old while playing in all layers of its past. Its present invents itself, hour after hour, in an action designed to throw the achievements and future challenge. City complex from laptops and monumental reliefs. The viewer can read in a universe that enjoys to bursting.
The images here are written in a combination of architectural contrasts, which was tested in the distant past miniatures and mystical textures. lampidee At this stage, concrete, metal and glass, the bigger cold water draw it between two oceans (Atlantic and American), make up the highest qualities of the globe gigantic rhetoric of excess, both expenditure and production.
Ascent to the summit of the World Trade Center means of escape from the grip of the city. The streets are embracing more the body and do not make it back and turn on anonymous law; Is not appropriated, not a player and is worn by the buzzing of so many differences and by the nervousness lampidee of New York transportation. About this climb from the crowd came pouring, the mixer includes all the same whether the authors or whether lampidee the viewers. When it is over this water, Icarus can ignore the machinations of Daedalus in mobile Dungeons endless. lampidee Htrummoto becomes a voyeur. It puts him at a safe distance, the wizard makes the world was in it 'Possessed' text in front of him, in sight. With this elevation, we can call this world, we can be out the sun, God's perspective. Sko fi impulse of enthusiasm and Gnostic. Only point to the viewer, this fiction of knowledge.
The desire to see the city preceded the means necessary to satisfy the desire. Paintings from the Middle Ages and the Renaissance image of the city through the perspective seemed obvious at the time that did not exist at all. They invented simultaneously flying over the city and it allowed the flight panorama. This fiction became the medieval viewer divine eye. She has A l im. Things have changed since the technical procedures have organized "all-seeing power"? Total eye, painters imagined distant past, survives in our creations. The urge to look at things chasing the users architectural lampidee products, today when he came to realize the utopia that yesterday was just painted. The clock tower 420 meters, which is used in the bow of Manhattan, continues to build the fiction that creates readers, makes the complexity of the city Readability and freezes the text mobility transparent to opaque.
On the other hand, the city's standard user life "down", instead adjudged Reut. The basic form of this experience is being walking (Wandersmänner) whose bodies obey the pen strokes of thick and thin "text" Urban, whom they write without being able to decrypt. lampidee These users do not seem to play spaces; They do not know them, but blindly, like a touch of love in person.
[...] Because lampidee it eludes the eye Mhtotliztzih imaginary, the strangeness of everyday life does not on the surface, or a surface are just a front border, margin derived from the visible light. I'd like to find, within this complex, space H"geomtri foreign practices "or Geography" visual construct, Hfnaoftit or theoretical. These practices communicate the unique space of actions ("modes lampidee of action"), another seam "(Experience" anthropological "poetic and mythic space) and movement dim and populous city of the blind. This city traveling, metaphorically City, which permeates this way into the clear text of the planned city and reading.
So let me just get quotes Atlas by Mies van de Rohe, one of the three legendary lampidee directors of the Bauhaus, which had a distinctly socialist political approach. "We need to be proficient in positions of our buildings as positions of the materials available to us. We have to learn what a building can be, what it should be, and what he should not be." "Architecture is the will of the period translated into space." Reply Delete
Archive:
G 2014 (4) Logo June (1) Logo May (1) February (2) G 2013 (4) September (1) April level (1) February (1) Holocaust survivor (1) 2012 (37) December (5) Logo November (1) Logo June (1) Logo May (3) G April level (5) March (8) places require families first one wish everyday problems in the representation of the invention best Dutch Holocaust listen to the murmur of the world love unconditional February (7) Holocaust survivor (7) G 2011 (62) G in December (9) Logo November (6) October (3) September (6) Logo August (4) Logo July (2) Logo June (5) Logo May (5) April level (4) March (3) February (9) Holocaust survivor (6) G 2010 (47) G in December (8) Logo November (5) October (8) September (8) Logo August (2) Logo July (2) Logo June (2) G &
No comments:
Post a Comment