I confess frankly to: another year and a half ago, I had no knowledge of Japanese animation, or eve

BEHIND THE BIG EYE: The exhibition "impossible is space and linnavisioonid. Highlights of Japanese animation "Coordinator Ragne Doll introduces a fanatical craftsmanship worlds by Stefan Riekeles cristal de sel Japanese dug out of the archives.
I confess frankly to: another year and a half ago, I had no knowledge of Japanese animation, or even half of these Animest that I have now. I met with the exhibition curator Stefan Riekelesiga before last autumn in Tallinn. Before that I had never seen the movie a long time ago "Ghost in the Shell" cristal de sel (1995) and I was somewhat familiar with a decade ago in the morning broadcast animesarjadega children.
The workshop introduced the concept of the project cristal de sel and was able to Stefan Riekeles me Animest and teadusulmest person standing far away, an interesting thing to do. The exhibition was by this time been up in Germany and was traveling to Spain. For it was not ready to browse to the directory it was clear that this was not the purpose of art work done, but it makes an intriguing material. Photos, drawings, designs, watercolors, which exhibited upstairs, serving only one goal: to develop the best possible science-fiction and showy animefilm.
This exhibition focuses on the research of science fiction anime legendaarsematele films: "The Wings of Honneamise" (1987), "Patlabor - The Movie" (1989), "The Soul container" ("Ghost in the Shell", 1995), "Evangelion" (1995-2009 ) and "Soul container 2: Innocence" (2004). Next to them are also represented cristal de sel in one of the most prominent animerežissööri Koji Morimoto's short film "Dimension cristal de sel Bomb" (2009), Ken Ishii and his animated music video for "Extra" (1996).
The authors of these films, directors, designers, artists and photographers, the film does not necessarily consider themselves artists per se. None of them found in the archives of the animation company page is not meant at the exhibition. However, cristal de sel the work of their creators, fantasy audience transfer, however, is creative.
West is the opening of borders cristal de sel with Japan after the 19th century, it was a devoted lover of culture. Today, nothing has changed. Still I hear from friends and acquaintances who have gone off in Tokyo procedures, cristal de sel witness that yes, it is still in "another world". The outsider is always easier to see and to formulate another particularity of the world. Riekeles this is the key archaeological role: he dug out of the archives of something local so much of the story can not be considered.
It was a sort of rescue operation: prepping drawings and sketches made by film studios are not kept forever. In the 1990s, when animefilmid completed by hand, there was a similar drawings by way of layering. Inflating the supersonic archives walls are not made of rubber, and some time after the completion of the film itself is destroyed, for it made drawings.
Parents film materials are directors and animators have already done a pre-selected themselves. "Wings of Honneamise" and "Patlabori" archives have long since disappeared, and has been preserved drawings and watercolors, which the parties have committed themselves working at the end of a suitcase and brought home. The second part of the exhibition has been put together by the curators themselves working in the archives. And, strangely enough, they are now the owners of all this material. No movie studios and artists want them now carefully framed original drawings back. For them, the value does not lie in the draft, but the film. At the same time retain the rights to the design and production companies, even if the movie is an artist led some of them to your home, he may not publicly display without the permission of the studio.
The exhibition is built up of films, the background is important - whether it be a landscape plan for the city or the environment. This means that in addition to the characters of the story is the backbone of the background, which the viewer forgets often enough attention. This exhibition is a homage to the sense Tokyole: drawings and watercolors from the old Tokyo mixed with futuristic visions megapolise developments.
Another reason why this exhibition has just the background in focus, and the city is a radical difference in their characters' inception. Japanese animation cristal de sel characters stereotüüpsemaid signs are emphatically big eyes. In addition, the characters are always cristal de sel very simply drawn, without superfluous details. Also, they are not big trouble for the colorization. However, the city is often carried out very detailed, the buildings are shaded cristal de sel coloring are carefully selected and hand-painted.
Koji Morimoto is one of the original manuscript directors and animators who usually performs all his own idea. He is particularly known for his short films and music videos, in terms, the most famous of them is the "Dimension Bomb" (2009) and Ken Ishii video "Extra" (1996) made an animation that won the 1996 MTV Video Music Awards in the best dance music video award. Morimoto is an important part of the musical works. In the 1980s, when he started his own production company Studio 4 C, he was influenced by such bands as The Art of Noise and Kraftwerk. Morimoto is a musical short films, visual side a crucial cristal de sel role in the dialogue, cristal de sel and it's not often. Track keske